Part 1: The Bones of a Character (Scene Study)
Summary:
Over these first 18hrs, the artist will learn how to interpret a script to find a solid grounding for character creation. They will learn everything they wanted to know about tablework; what is efficient and what isn’t efficient.
Result:
The actor will leave with a comprehensive method to digest scripts and performance texts intended for future performance. Great prep for on camera work.
Now taking enrollment for Spring Sessions 2020 in Toronto and London, ON
Techniques PRESENTED:
Stanislavsky Spine Theory, Clurman Perspectives, Brechtian Episodic (Dialectical) Structure, Richard Schechner Ritual Performance, Meyerhold Biomechanics